Sunday, December 10, 2017

Pear Power

 "Pear Power"
8 x 8 inches, oil on canvas
Holiday Sale Price $100

Big sale in my Etsy shop right now! HOLIDAYHALFOFF is the code to use. 

This pair of pear paintings were painted with the same limited palette - three tubes of color, plus white (OK, two whites). 

It looks like a lot more, doesn't it?!

You can click on this image for info on the colors I used:

Friday, December 8, 2017

It's Holiday Sale Time!

"Brown Pears"
8 x 8 inches, oil on canvas
Holiday sale! $100

There are so many holiday sales, and I'm here to announce yet another one! But, in my humble opinion, if you only visit ONE this year, the Whiteaker Printmakers Holiday Show and Sale is the one to see. I was there last night setting up, and let me tell you, the studio is crammed full of amazing art. 
...And if you're going to visit TWO holiday sales, my ginormous Etsy sale is continuing through December 15th! You'll find those deals in person at Whitprint this weekend, or online anytime with the code HOLIDAYHALFOFF.

Thursday, November 23, 2017

Shiny Persimmons - and Happy Thanksgiving!

 "Shiny Persimmons"
10 x 10 inches, oil on canvas

Happy Thanksgiving! I'm grateful for green and orange, just one of the many color combinations that make my heart sing.

I'm grateful for you, the artists and art-lovers that inspire me to create.

And I'm grateful for the process, for learning and growth. Looking forward to more and more - this holiday season and onward!


Happy Holidays, enjoy!

Tuesday, November 21, 2017

Golden Loops

 "Golden Loops"
12 x 12 inches, oil on canvas

My first ornament painting of the year! With this shiny gold ribbon thrown in as a bonus. I love the  texture and movement that ribbon brings to a still life - and the eye workout!

Here's how my paintings begin - as compositions seen through a viewfinder.
Looking through an aperture that's the same format (square, rectagle - horizontal or vertical) as my canvas helps me decide where to place the objects in a painting. Using this tool takes SO much of the guesswork out of my process, but taking photos through a viewfinder? Definitely a next-level challenge. I'm working on it!

Friday, November 17, 2017

Flashback to Plein Air

 "La Mota"
12 x 16 inches, oil on canvas

I only made it to one plein air paintout this year, but it was great, and a new one for me - located in Roseburg, Oregon, a smallish town about 60 miles south of Eugene.
 On the first day, we painted cityscapes, which I have a much easier time with than traditional landscapes, for several reasons.  After some trial and error, I settled on this corner scene - the strong shadows, the truck, the "stop-go" interplay of that red hand and the green cross.... all attracted me. 

Here's my value plan:

La Mota means marijuana in Spanish, and yes, this is a painting of a recreational pot store. We have these - lots and lots of them - in Oregon now. It was an interesting spot to hang out in front of for an afternoon - at times I felt like I was conducting the most un-surreptitious surveillance operation ever. But no paranoia required, folks! I'm just arting over here. 

 The three paintings I ended up submitting for judging. I don't participate in these events to win - in fact, I consider myself a rank amateur when it comes to plein air. But I enjoy it, I always learn a lot! 

...And here's a bonus for reading this far! I've got a major sale going on in my Etsy shop for the next few weeks. 50% off everything - including "La Mota." Use the code HOLIDAYHALFOFF. And thanks for following my work!

Monday, November 6, 2017

Teaching Figure Painting with Zorn

14 x 18 inches, oil on canvas
Workshop Demonstration

I taught "Beginning Figure Painting" on my home turf this past weekend, at Whiteaker Printmakers in Eugene. It was an enthusiastic, talented group, and I thoroughly enjoyed painting with them!  

Can you spot me in this picture?

We started out with gesture drawings, mixed flesh tones using the Zorn palette, and they painted these lovely pieces - all in two days!

 Here's my color chart, and two little demos - same pose, different lighting, four values.

If you're interested in trying this limited palette technique, I've got two portrait workshops coming up - one this weekend, November 11-12 at Sequioa Gallery + Studios in the Portland, OR area (spaces are still available), and the other in Eugene, at Oregon Art Supply, January 6-7

Live models, and lots of painting! Click the links for details.

Friday, November 3, 2017

"Admirers," And New Paint Colors!

12 x 12 inches, oil on canvas

 I did a quick black-and-white oil study before launching into this one, right in my sketchbook, to plan out my composition and value structure.

I painted this during a demonstration of M. Graham's new paint colors at my local art supply store. M. Graham just expanded their line of fantastic oil paints from 50 to 75 tubes, big news! Some of my new favorites are Bismuth yellow, Pyrrol red, and Pthalo blue red shade, all of which I used in this piece.

I love having an audience when I paint - whether it's my online students joining me virtually, a group of workshop students, or friends who come out for a demo, the back-and-forth is always enjoyable. If anything, chattering away while painting seems to help my focus and concentration, go figure! 

I'm looking forward to demoing again, November 8-9, at the Tools of the Trade Show at the U of O. Come say Hi and pick my brain about M. Graham's new colors. I love em!

Wednesday, November 1, 2017

Early Persimmons

 "Early Persimmons"
12 x 12 inches, oil on canvas

Here's how this one looked, through my viewfinder:

 And the palette I painted it with! Lots of reds in the mix, along with two yellows - a warm and a cool - and one big strong blue.

In other news, my 2018 calendar is out! Order yours by clicking here - or come visit me November 8-9 at the Tools of the Trade Show at the U of O Duck Store. I'll have a few to sell, and some new greeting cards too!

My next still life workshop will be November 18-19th, at Oregon Art Supply in Eugene. Two days of Painting the Dynamic Still Life! Hope you can join me.

Saturday, September 9, 2017

Emerald Orb - and Workshop Announcements!

"Emerald Orb"
10 x 10 inches, oil on canvas

My strange little offering from Still Life Open Studio last week. It's always such an adventure - I never know what I will come home with, even though I bring all the objects and set up the still life! 

This painting may be strange, but I love it. It just lingers in my eye.

I want to give you all a last-minute heads up about two still life workshops I'll be teaching soon - one in Park City, Utah later this month, and the other in Oklahoma City in October.  Spaces are still available in both, and I'd love to have you join me!

Green Flash

"Green Flash" 
10 x 20 inches, oil on canvas

My latest! Here it is, on the easel:

I did a black and white oil sketch for this piece, as I often do before beginning larger works. This time I actually managed to stick to the plan! If you squint, the values between the grayscale and the color painting match up well. That's the goal! 

The black and white piece is 6 x 12" on Arches oil paper, and it's available. Click here to bid on it.
Thanks, as always, for looking!

Monday, August 21, 2017

"Knife and Nectarine," And, of course, the Eclipse!

"Knife and Nectarine"
9 x 12 inches, oil on canvas

My latest piece from Still Life Open Studio. Our next session will be September 7th, at Whiteaker Printmakers in Eugene. All are welcome! 

In today's news, I just watched the eclipse! We had 99% totality here in Eugene, and it was pretty cool. And now I can't stop seeing the ring of light around this dark purple plate as the 1% sliver of sunlight peeking around the shadow of the moon. Art does change the way we see the world - and vice versa!

Friday, August 18, 2017

Green Loops

 "Green Loops"
10 x 20 inches, oil on canvas

It's been a while since I ventured out of the square format canvas - thought outside the box, if you will - and it feels good! 

I paint a lot of red delicious apples with my students.  I always choose red delicious over other varieties of red apples because they have the fewest striations, variegations, freckles, etc, to confuse an eye that's trying to discern clear light and shadow patterns. And their velvety garnet color - so rich it's almost purple - gets me every time. 

Here's how this piece came together.....

And here's the still life. Just a side note: I'm actually drinking one of these apples in a smoothie as I'm writing this. Talk about multitasking!

You can see more behind-the-scenes studio pictures like this, all day every day, on my Instagram. ;)

Thursday, August 17, 2017

A Plein Air Still Life on Whidbey Island

sarah sedwick lemon still life painting
 "Five Lemons"
12 x 12 inches, oil on canvas

In my last post, I shared pictures from my recent opening at Brackenwood Gallery on Whidbey Island. It was a fantastic opening, and the fun didn't end there! The next day, I did a plein air still life demonstration outside the gallery doors, enjoying the cool island weather, and the gallery-goers who stopped to chat. I even had a canine audience, as you can see!

sarah sedwick painting plein air still life

The light was a little strange, as it was cloudy and hazy with smoke from nearby wildfires - a kind of grainy, golden light. Not bad, but not as dramatic as the stunning summer sunlight I got for my demo afternoon last year!

sarah sedwick oil painting process

Here's a look at my process: a simple black and white oil sketch (in a sketchbook) to plan the value pattern and composition, an underpainting on the canvas in sepia tones, and color laid directly over that, alla prima.

Tuesday, August 15, 2017

"Reflecting Pool," A Solo Show, and Gallery Gratitude

 "Reflecting Pool"
14 x 18 inches, oil on canvas

Ta Da! My sole solo show of 2017 opened earlier this month at Brackenwood Gallery on Whidbey Island, Washington, and I got to be there in person to enjoy the festivities. 

I've been saving this painting, "Reflecting Pool," not blogging it, waiting for this show to open. It's the last - the final! - painting I will be posting from my artist's residency at Playa earlier this year, and it's my favorite piece made there - my favorite of the twenty paintings that I brought home from that powerful, miraculous month of work. 

Here it is, hanging in the gallery:

 And here is another shot of the show:

Here I am posing after the opening with the other artist who has a solo show in the gallery right now, Pete Jordan. His beautiful Whidbey Island landscapes are such a perfect counterpoint to my still lives... majestic in every way!

Thank you, Brackenwood, for making me look so good!

Thursday, August 10, 2017

Six Cuties, and Stages of the Painting Process

 "Six Cuties"
10 x 10 inches, oil on canvas

Here are the stages this painting went through: still life setup, underpainting, and color application. My favorite phase of the painting process is definitely the underpainting. Still life setup is the hardest part, and the finishing touches are so agonizing...but the end stage can be fascinating.
(Click the link to tell me!)

Wednesday, August 9, 2017

"Tangerines on Turquoise"....and Tons of Teaching!

 "Tangerines on Turquoise"
10 x 10 inches, oil on canvas

July was a whirlwind month, busy and full. This painting was a demo I did for students in Portland, over a two-day period. Here's my palette - heavy on the red-oranges. I really wanted to emphasize the red glow that reflects back and forth when oranges cuddle up together, and those saturated contrasting colors on the oranges and the plate.


...And this, believe it or not, is some of the student work from that class! What a talented bunch - not beginners. They did great. 

Monday, July 3, 2017

Strawberries for the Fourth!

strawberry art oil painting still life
 "Four Strawberries"
10 x 10 inches, oil on canvas

Red, White, and Blue. Happy Fourth of July, all!

Monday, June 26, 2017

Red Red Radishes

radish oil painting still life
 "Red Red Radishes"
8 x 8 inches, oil on canvas

Why are so many artists drawn to radishes as a subject? Is it the complementary color scheme? The texture contrast between the smooth radishes and their feathery leaves? The challenge of capturing something that is literally wilting before your eyes? The movement in those twisting root threads? Or just the inviting, saturated reds?

Check, check, check! I resonate with all of it.

Here's the palette I used for this piece - a before and after:
And here's my model, my work-in-progress, and the finished piece. You can see more images like this on my Instagram page. It's like an ongoing mini-blog, with lots of behind-the-scenes stuff - and even a few selfies!

radish painting work in progress

Oh, one more thing! I snuck an unblogged painting onto DPW auctions - it's starting at $100, you can check it out here. :)