14 x 18 inches, oil on canvas
Another painting, mining my maybe-excessive Hillsboro pumpkin patch lode.
I brought them all home from Still Life Open Studios and threw them on the studio table, where they were very conveniently waiting when it was time for my next daily sketch. As I was drawing, I began to see that there was a painting there, somewhere.
There are lots of reasons that artists draw - and there are plenty of artists for whom drawing is the main medium of creation. As a painter, there are several things that make drawing an integral part of my studio practice.
For one thing, it keeps me in touch with my love of line. I'm always trying to paint more tonally, with fewer outlines, so junking out on lines and hatchmarks feels really good when I sketch.
I've got a brand new workshop coming up October 29-30, here in Eugene called "From Sketchbook to Canvas: Drawing to Improve Your Painting." Despite that maybe-excessive title, it's going to be a simple class: we're going to draw, then we're going to paint. And we're all going to learn something about ourselves as artists, and our own unique artistic process. More info and online registration here!