9 x 12 inches, oil on Arches oil paper
If I paint until I'm 100, I'll never get tired of the little tricks light plays on the world.
This painting exists because of that beautiful red streak bouncing onto the underside of the pomegranate from the silver dish. When I saw that, I heard the "click," that inner voice that says, "This still life is ready to be painted!"
Below is a quick color chart of my palette for this piece: Cadmium Red light and Alizarin Crimson, combined with Hansa yellow, Ultramarine blue, and a green mixed from the two. Then two rows of tints beneath. This chart was a demo for one of my private students, to show the possibilities of having both a warm and a cool version of one of the primaries in a limited palette.
I'll be in the Portland, OR area this weekend, teaching "Color Mixing for Painters" at Sequoia Gallery + Studios - you can still sign up for that! More info, and online registration here. Can't attend a workshop? Check out my online art mentorship program.....
....And, as always - thanks for reading!