"White Object, Lemons" Still Life, Work-In-Progress, and Black-and-White Sketch!

 "White Object, Lemons"

12 x 24 inches, oil on canvas

Available here

It's been a while since I painted this little plate, let's see - can I find any examples from the past to show you? Yes!

It's hand-painted, which makes reproducing the design with my own hands so much more enjoyable. At one point I actually forgot I was painting on canvas. I felt like I was painting a plate myself! This twisting floral style is common to decorative pottery made in Jerusalem, where my mother bought it in 1979 - when she was pregnant with me! Can't say I remember much about the trip.

Here's a progression. I didn't tone the canvas for this one, instead letting the underpainting create its own tone. The color is a neutral orange I had left over on my palette - probably a mix of alizarin, cad yellow, cad red, ultramarine blue.....you know, all the primaries. As long as there's no white in the mix, it works.

...And my black and white sketch. I love love love making these. If you're going to use Arches oil paper, I recommend brushing a thin layer of Gamsol (or your OMS of choice) onto the surface before beginning. Although this does tend to make the finished product dry at a snail's pace, it helps with the absorbent/chalky feel of the surface I've heard myself some artists complain about.

"White Object, Lemons (sketch)"

8 x 11.5" oil on Arches oil paper

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A New Still Life: From Sketch to Finish

 "Burnt Out (Lemons)"

18 x 14" oil on canvas

Available Here

I've been working on some larger still lives for a big show this spring, here in Eugene. Before diving into a painting that will take me several days to complete, I like to do an oil sketch....just to make sure I really want to commit.

And to warm up.

And to work out any compositional issues.

And because I love painting small, black and white studies. 

 "Burnt Out (oil sketch)"

approx. 11 x 8 inches, oil on Arches oil paper

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Can you spot the compositional issue I worked out from sketch to final painting? It's subtle, but I shifted everything over to the left a bit.

Here's a progression, click to see it bigger:

Orange Light...And a video!

 "Orange Light"

9 x 8 inches, oil on Arches oil paper

$75

Available here

I've been enjoying taking these little time-lapse videos of myself while painting. I just prop my phone up, hit record, and forget about it. I'm not sure how long I painted in real time to get this 30 second video...and apparently, this will remain a mystery.

According to MacWorld: "We found that recording for a long time doesn't make for a significantly longer video. You will find that most time-lapse video recordings play back in 20 to 40 seconds, regardless of how long you recorded for."

Dark Pomegranate

 "Dark Pomegranate"

10 x 10 inches, oil on canvas

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I think this may be my last pomegranate painting of the winter....but we'll see. I've got some lemons on the studio table right now.

"Blue Light"

 "Blue Light"

12 x 24 inches, oil on canvas

Available here

A new painting, large-scale for me. Painted from life, before the flowers got too wilty! Hint: always paint the flowers first.

Also, when you're painting anything painted on anything else - the design on this vase, the lettering on this bowl, and yes, even tattoos on human skin - paint the form first. Below, you can see I painted the vase, rounded in space (minus the highlights from the spotlight), before adding the blue design. I didn't wait for the paint to dry before adding the blue, though that's sometimes helpful.

You can see a 30 second time-lapse video of the underpainting for this piece on Facebook.

Introduction to Oil Painting

 

 "Demo at OAS, January 2016"

9 x 12 inches, oil on Arches oil paper

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I just wrapped up the first-ever session of my new workshop, Intro to Oil Painting. It's funny that I've been teaching for three years now, and this was my first beginner-level class. The most challenging part was keeping it simple - especially when it comes to talking color!

Luckily, the first day was all black-and-white. First, we mixed up a value scale, then we painted with it: all-white geometric objects, then red and green apples.

The second day, we mixed up a full-spectrum palette from the primaries. I like seeing my demo painting in sequence with the palette and color wheel: 

I've got plenty of workshops coming up - you can check them all out in the right-hand sidebar. Don't hesitate to sign up if you're interested - all levels of experience are welcome in all of my workshops!

The Sarah Bowl

 "The Sarah Bowl"

9.5 x 9 inches, oil on Arches oil paper

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I don't actually eat out of this bowl anymore, but as you can see, it's gotten its share of use over the years. It's as old as I am, after all! It was a baby present to my parents....36 years ago. Every time I paint it, I think about the artist who painted the letters on the bowl - and wonder which is more nerve-wracking - painting letters on pottery or painting letters onto wet paint. At least I have the advantage of being able to scrape off and redo - or leave the letters out altogether.

I have a new workshop coming up this weekend, in Eugene, at Oregon Art Supply. Intro to Oil Painting - a great way to start off your artistic year. All levels are welcome - whether you're totally new to oils or returning after a break. Ages 15 and up. It's going to be fun! Details here.