The Pattern Beneath All Things

 

 "The Pattern Beneath All Things"

10 x 20 inches, oil on canvas

$500

Click to buy

I am amazed that I have no work-in-progress pictures of this one. It just kind of snuck out while I wasn't looking. 

So, here's a picture of a cow:

 

I passed this girl and her buddies every day on my post-studio decompression run. Running by the side of the highway sounds pretty dismal, but as you can see, it was anything but. And pretty peaceful - not much traffic - just me and the cows and the huge changing sky. 

In Which I Make A Ruler...And a Time-Lapse Video

"Six Inches"

10 x 10 inches, oil on canvas

$250

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Although I felt like I brought about half of my possessions to Playa, I somehow left my ruler at home. And, of course, I needed it - so I made one out of a piece of paper. And it found its way into this still life somehow....

If you had been there, you'd agree - this composition was just crying out for a tiny touch of white. Which was perfectly supplied by my homemade ruler. Touch of white, title inspiration, semi-accurate measurement - what a useful life!

I made a time-lapse video of this one - about four hours of painting condensed into two minutes. I like watching that plate pattern emerge in the last 30 seconds. Painless in hindsight.... Enjoy!

Three Oranges, One Video, One Self-Portrait Sketch, and Some Words

 

 "Three Oranges no. 3 (Pattern)"

8 x 8 inches, oil on canvas

$200

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Another orange painting from Playa - and a time-lapse video of my underpainting. You can see how I tweak the position of everything just a bit at the very beginning - the best time to make changes like that, for sure! 

(If you're an email subscriber, you may need to click on this link to watch.)

Here's another of my daily sketchbook self-portraits - this one done in oils on a ground of gray gesso. When I'm using oil paint in my sketchbook, I actually prefer to paint right on the paper. Gesso, being water-based, makes the paper buckle. Paint thinners like Gamsol don't have the same effect. And, because I get a lot of questions about whether I use a special kind of sketchbook to paint in - the answer is no - it's just your garden variety sketchbook. Pentalic - this one, I think.

Pointed Persimmon and Public Painting Demo

 "Pointed Persimmon"

8 x 10 inches, oil on linen

$250

Click to buy

Lots of elements came together to make this painting! First, the persimmon: gifted to me by a friend who knows his trees (also, a little something about my persimmon obsession). It's a Hachiya persimmon, as opposed to the Fuyus I usually paint. Second, the fun patterned paper - a new addition to my still life stable which I already can't wait to paint again. And third - the luxurious Belgian linen canvas I painted it on, a sample sent to me by the generous owners of Masterpiece Canvas. It's from their Vincent Pro Muir series - a beautiful surface, and drum tight! 

The painting went through quite a few stages, and you'll notice it gathered more cranberries as time went on. They multiplied before my eyes!

If you'd like to watch a painting come together before your eyes, you can! This Friday, December 2nd, I'll be giving a figure painting demonstration at Whiteaker Printmakers, to introduce my workshop - also this weekend, and also with spaces still available. 

Come watch me paint this lovely model, Hannah. Young artists welcome - everyone in the room will be at least partially clothed. ;)   

Info and registration for the demo and the workshop here.