8 x 10"
oil on canvas
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Recently, I put out a call for skin-tone tips, and I got some really good responses. My favorite came from Bill Sharp - the infographic you see below. Sean Cheetham is one of my gods heroes - I'm totally blow away by his muted, yet perfectly modulated flesh tones. So, I was really excited to try his palette. The idea is that you mix two main "mud" piles - a light side and a dark side, and then modify each one three or four ways. I couldn't believe how few piles of paint I was using to create such a range of expression. My normal portrait palette is, well, not this simple.
What it looks like on my palette:
I needed a test subject, so I snapped a quick self-portrait with my phone, propped it up next to my canvas, and dove in. What do you think?
Do you like painting self-portraits? Do you always do them from a mirror, or do you prefer photo reference?
I really don't like painting self-portraits. Going back and forth between the mirror and my painting is very difficult for me, and no one ever EVER thinks I capture a likeness. I enjoyed the cell-phone method, though. I think I'll be doing these more often!
Do you like painting self-portraits? Do you always do them from a mirror, or do you prefer photo reference?
I really don't like painting self-portraits. Going back and forth between the mirror and my painting is very difficult for me, and no one ever EVER thinks I capture a likeness. I enjoyed the cell-phone method, though. I think I'll be doing these more often!






















